wav extension or the program won’t convert it correctly. When you save the filename be sure you add the. Highlight the audio stream then select WAV as the codec and select 5.1 for the channels. Uncheck the Copy box for the audio stream. To do this: uncheck the Enabled box for the video stream. Use dmMediaConverter to convert the mkv to a 5.1 channel audio file in WAV format. Expect this step to take around two hours for a standard movie, depending on your CPU speed.ģ. Process only the video for this step without any audio. I go into even more detail of why Cineform is preferred later on in this guide. I personally recommend Cineform Film Scan 2 (same perceived quality as Prores 4444 at much smaller file size). Use Hybrid to convert the MKV to Prores (minimum of Prores 422 format, 4444 is better) or Cineform (Film Scan 2). This adds time to the editing process, though, since every point you slice your video you have to slice the subtitle as well.Ģ. It’s also nice to keep the general subtitles in your edit as a lot of people like having them available.
#RIP FRAMEIO MOVIE#
If the movie has subtitles during foreign language parts, keep those intact.
Avoid standard DTS or standard Dolby Digital unless this is your only option. This, for example, could be DTS-HD 7.1 surround. Keep the highest quality audio when selecting the audio for the rip. The result will be a MKV file usually between 30-70 GB.
Use Makemkv to rip the Blu-ray or UHD disc. There you can also find links to purchase already downgraded drives.ġ.
#RIP FRAMEIO HOW TO#
More information is available on the forums at regarding suitable drives for UHD and how to downgrade them. Note: To rip from a UHD disc, a downgrade is first required for the firmware on the drive. Resolve (the paid version) on the other hand, can automatically process HDR footage using DolbyVision to convert it to SDR. If you try and process HDR content as SDR in Premiere, for example, there is a good chance the result will look bad to fair. UHD relates to the size and resolution while HDR relates to the color and luminosity. Note that UHD and HDR are not the same thing. It is the only NLE that handles HDR to SDR conversion well. Using a compressed codec throughout the entire process, e.g., H264, HEVC, will result at best in only fair quality.įor fanedits made from a UHD HDR source, only use Resolve (if you will be doing color correction). Because NLE’s do a bad job of exporting your final product to compressed codecs like H264 and HEVC. IMPORTANT: If you think you are gaining quality by directly editing a direct blu-ray rip, you aren’t. Of the above 4 conversion steps, the first is lossless, the next 2 are near lossless, and the final step is lossy. Many experienced faneditors still use Sony Vegas which looks dated but is fully functional.īlu-Ray/UHD Disc > MKV rip > Cineform (or Prores) import to NLE > Cineform (or Prores) export from NLE > MKV Re-encode Those are the three main NLE’s used professionally today.
#RIP FRAMEIO 1080P#
I’ve used both of these in my 1080p edits as well.
But of course other good choices are Adobe Premiere and Apple Final Cut.
This guide also suggests using the Non Linear Editor (NLE), Davinci Resolve, for its unparalleled color correction capabilities.
#RIP FRAMEIO SOFTWARE#
MVK format also has robust supporting software (mkvtoolnix) with an easy to use graphical user interface, making it rather straightforward to perform tasks like adding chapters, cover art, or looking up file informaion needed for proper HDR conversion to SDR. It uses makemkv for the rip because it’s free, lossless, and offers support for downgrading UHD drives. This guide provides my preferred methods for maintaining high quality and good compatibility of the final product. Different software is available to rip discs and to edit video.
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